The Font and Cover
The cathedral’s white marble font dates from 1663.
You can find it at the west end of the Nave near the entrance.
Did you know?
A font represents starting a journey into Christian life. It is used during baptism services when new members are welcomed into the church.
Thoughts and reflections
Standing gloriously
The font cover is splendidly crafted, standing on eight fluted pillars which combine different styles giving it a medieval feeling.
The font cover is 12 metres high, making it one of the tallest in England. Elaborate covers for fonts became fashionable in the 17th century to enhance the baptism ceremony's importance. It symbolized the connection between earth and heaven.
History
Scottish prisoners of war held here in 1650 destroyed an earlier font and cover. Bishop John Cosin, in office from 1660 to 1672, replaced both in 1663 as part of a major restoration project. Bishop Cosin also replaced much of the lost or damaged woodwork in the cathedral.
A tall oak canopy protects the font. Bishop Cosin commissioned James Clement, a local architect to build it. Clement also designed the woodwork for the Quire.
Place finding
In 1846, the font was considered "unsuitable" and given to a neighbouring church in Pittington. A rectangular bowl of Caen stone, a type of limestone from France, supported on pillars in the style of the 12th century replaced it.
According to records in the Francis Frith photograph collection, the original chalice-shaped font returned to "its rightful place" in 1935.
Follow the guided tour
You’re in: The Nave You’re at: The Font and Cover Next stop: Daily Bread (Marks & Spencer) Window
- From the Font, look through the pillars opposite to the ones you've walked through
- Look up towards the stained glass window